| Listed below
are the various projects that CFR have either produced or been
involved with by providing footage or consulting. Check back regularly
as we update and pull material from our archives. |
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Chechnya:
Separatism or Jihad? (Combat Films/KBYU, 2005)
Chechnya: Separatism
or Jihad? examines the nature of Islam in the ongoing
Chechen conflict. In early 1995 numerous foreign mujahadeen
went to Chechnya to assist the separatist movement—there
have been foreigners there ever since. Their contribution on
the battlefield and their influence on the political situation
within the Chechen resistance is not clear. It has been the
subject of controversy, misinformation and political finger-pointing
by all sides in the conflict.
More disturbing, four large scale hostage-taking raids into Russia
in the past decade, Budyonnovsk (1995), Kizlar (1996), Moscow
Theater (2002) and Beslan (2004), now referred to as “spectaculars”,
seem to parallel the growing radicalization of the conflict.
These increasingly audacious and violent events also serve as
a chronological timeline for the story as they illustrate an
evolution and escalation of militant Chechen tactics.
At the center of the conflict is Shamil Basayev, the last remaining
field commander from the beginning of war in 1994. Has he become
the face of Chechen separatism, of Islamic radicalization in
Chechnya, or both? Will his voice dominate following the recent
death of the more moderate rebel leader, Aslan Maskhadov, at
the hands of Russian commandos?
Chechnya: Separatism or
Jihad? explores the larger question of whether or
not the Chechen independence movement has been hijacked by
militant Islam. www.beyondtheborder.org |
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Fog
and Friction (Combat Films/KBYU, 2005)
War
is complicated. Friendly-fire incidents, collateral damage,
and plans that fall apart under the stress of combat
seem unavoidable. Fog
and Friction looks at three specific battles and
examines the uncertainty of war in Iraq and Afghanistan.
The film also examines the role of the media in modern
warfare and the issues of disinformation, perspective,
and dependency in these same environments.
3/7 Marines prepare to cross into
Iraq during the race for Baghdad, unsure of the strength of
their opponent. Later, both soldiers from the 101st Air Assault
Division and 3/7 Marines find themselves on the outskirts of
Baghdad facing an enemy that has blended into the civilian
population. Finally, the pilots and gunners of Bravo Company
Apaches meet heavy resistance that requires them to improvise
new tactical strategies on the fly during Operation Anaconda
in eastern Afghanistan. These stories of battlefield risks
and victories are intertwined with stories that illustrate
the role of the media in war zones during the uprising at Qala-i-Jangi
fortress, Afghanistan in 2002 and as embedded journalists on
the Thunder Run to Baghdad in 2003.
Fog and Friction is a glimpse
into the decision making process at the height of battle, the
ability of the media to portray an accurate view of war, and,
according to military scientists, what is being done on a continual
basis to overcome the uncertainty of fog and friction. www.beyondtheborder.org |
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From
the Masses to the Masses: An Artist in Mao's China (Combat
Films/KBYU, 2005)
From
the Masses to the Masses is the story of Jin
Zhilin, a Chinese artist whose career was altered dramatically
by the currents th
at
have shaped the past century of Chinese history.
His personal experience provides a unique window
into the life of an artist in a revolutionary society.
Educated as
an oil painter in the Western tradition, Jin responded
with interest to the 1949 revolution and Communist Party
Chairman Mao Zedong's call for artists to learn from the
masses, and create for the masses. But after Mao called
for a Cultural Revolution to purge China's intellectuals
and those he deemed insufficiently "red" in
1966, Jin found himself on the wrong side of the new artistic
mandates. Imprisoned and alone, he even attempted to take
his own life.
Sent to Yan'an upon his release, another political shift finally
put Jin in the position to pursue his lifelong passion: to learn
from the masses, in this case the traditional artists of Yan'an
province. He and his group of students spent the next seven years
capturing the life and history of the revolutionary capital on
oil, watercolor and wood block prints.
Art has been defined as a medium of expression where the individual
and culture come together. What happens to the individual artist
when culture becomes a tool of government? How does political
upheaval impact art as an expression of the times? Can art and
culture survive and overcome government repression?
From the Masses
to the Masses uses the actual art discovered three decades
later, and interviews with the artists, to record the thought,
travail, hardship and camaraderie of this important watershed
period in modern Chinese history and offers a unique opportunity
to approach some of these larger questions through an artist's
eyes. www.beyondtheborder.org
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Launch Pads to Lily Pads (Combat
Films/KBYU, 2005)
The Cold War is becoming a faded memory. The strategies that
guided America’s Military presence in Europe for nearly
50 years have become irrelevant. Now, the first Marine ever to
head the European Command is charged with adapting his force
for the new century.
Launch Pads to Lily Pads explores
the military’s current
struggle to adapt its force posture to meet new perceived threats
inherent to an expanded America security perimeter. At the heart
of the ongoing transformation is a debate regarding what EUCOM’s
role should be beyond Western Europe—primarily Africa.
Launch Pads
to Lily Pads aired on Scandinavia's TV8 | www.beyondtheborder.org
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Arms
Bazaar (Combat Films/KBYU, 2004)
While
world leaders and the international press focus their
gaze on the specter of weapons of mass destruction the
conventional arms market quietly does several billion
dollars worth of business a year. At trade shows like
Abu Dhabi's IDEX arms fair, countries from across the
globe can shop for a dizzying variety of weapons--from
small arms to tanks, to cruise missiles and fighter aircraft--like
groceries at market. At IDEX even pariah nations such
as Iran and Libya are free to do business with their
peers--without the sanctions generally applied to their
activities in the international arena.
The weapons bought and sold at
IDEX serve to prolong, intensify and escalate conflicts the
world over, and are responsible for may thousands of deaths,
both civilian and military. Indeed, the land mines, bombs and
artillery shells continue to inflict casualties long after
the official cessation of hostilities. However, counter wisdom
claims that transparency in the arms market around the world
creates stability and arming one's friends is far better than
not arming them even if they do become an enemy some day.
Of course, buyers and sellers
are not the only ones drawn to IDEX. Intelligence agents from
all over the world attend as well. The result is a bizarre
environment where not everyone is who they seem and tools of
death and destruction are cavalierly displayed. So, while prophecies
of doom in the form of weapons of mass destruction continue
to draw the spotlight, the weapons that will fuel the next
Bosnia, Somalia, or Afghanistan are still discretely bought
and sold at the Arms Bazaar. www.beyondtheborder.org |
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Fault
Lines & Pipelines (Combat Films/KBYU, 2004)
The
beautiful and historic Caucasus Mountains are home to
three major conflicts in the former Soviet Union, Nagorno-Karabakh,
Abkhazia and Chechnya, and multiple minor struggles.
Corruption is rampant and coups, random killing and kidnappings
are so prevalent that foreigners in Georgia's capitol
Tbilisi are warned not to walk after dark in its most
affluent district, Rustaveli, more commonly referred
to as the "red zone".
Intertwined in this convoluted
political and geographic landscape is a significant portion
of the world's known oil reserves. The Caspian Sea basin boasts
great fields of crude and natural gas with one major caveat-there
is no accessible sea route to get the precious energy sources
to the world market.
Pipelines, constantly under sabotage,
exist running east to west through the Caucasus valleys to
the Black sea, while a more aggressive international pipeline
project spanning the region is in various stages of planning
and preparation. The Baku-Ceyhan pipeline will skirt four regional
wars and numerous ethnic enclaves where war can break out at
any moment.
Fault Lines
and Pipelines examines
this intriguing yet treacherous region in the context for a
secure pipeline route. www.beyondtheborder.org |
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Ukraine
Sonata (Combat Films/KBYU, 2004)
As
the shadow of Soviet control slipped away from the former
satellite states, Ukraine stepped forward and declared
its independence. Free of Moscow's grip, gone is the
state funding that supported the arts. Music is an abandoned
program. Once a source of great pride and honor for the
former Soviet Republics, many formerly celebrated musicians
are now destitute. Young students of music have an uncertain
future.
The spiritual repression of the
Soviet era, ironically, inspired creative genius and stands
in marked contrast to the state of music today in Ukraine.
As communism collapsed a surge of nationalism emerged in the
light of freedom as the population and musicians alike searched
for a heritage from a history dominated by Russian. But the
birth and development of a capitalist system and creative liberty
has led to another tension: pop music vs. traditional or classical
music. In the vacuum created by the fall of communism, the
new economic and societal environment threatens to leave behind
the musicians and music in this former Soviet satellite.
Ukraine Sonata
looks at the years before, during and after the great "Perestroika," of
the Soviet Union and how the Independent Republic of Ukraine
is negotiating the changes on a musical level. www.beyondtheborder.org |
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Virgin
Soldiers (Combat Films/Ideal World/Channel 4,
2003)
With
unprecedented access, award-winning filmmaker Dodge Billingsley
tells the story of India Company 3rd Battalion, 7th Marine
Regiment, crack U.S. Frontline troops in Iraq. With some
as young as 19, the invasion of Iraq was the first time
any of them had actually been sent into combat. Having
joined up with the regiment two months before they went
into battle, and watched them train and prepare for war,
Dodge experienced first hand the fears, hopes, dark humor
and occasionally humdrum day to day life of these young
men as they played a vital role in the liberation of
Iraq. With remarkable footage of battles with the Iraqi
32nd Mechanized Infantry Brigade and the destruction
of the Fedayeen Headquarters, Virgin
Soldiers reveals the true story of the men who
fought their way into the heart of Baghdad. 3/7 Marines
remained in Iraq conducting stabilization operations
for another four and half months before returning to
their desert base in 29 Palms. |
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The House of War (Channel4/CNN,
2002)
The
House of War, an hour-long documentary from Emmy-award-winning
director Paul Yule, is an insiders’ account of
the Mazar-I-Sharif uprising in Afghanistan. Featuring
previously unseen footage, The House of War reveals what
really happened in the Qala-I-Jangi fortress, from the
moment the first prisoner blew himself up with a hand
grenade, through seven days of ferocious fighting, to
the final surrender. www.channel4.com |
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Close
Combat Attack Apaches: D-Day Operation Anaconda (Combat
Films, 2002)
On
March 2, 2002, over a thousand U.S. and allied troops
moved against a large concentration of Taliban and Al
Qaeda in the Shah-i Khot valley of Southeastern Afghanistan.
Only minutes after H-hour allied troops across the valley
came under small arms RPG and mortar fire and two flights
of AH-64 Apache attack helicopters swooped in to support
them. Unable to hover, and facing massed fire from the
ground, the Apaches carried out Close
Combat Attacks on a determined and well-concealed
enemy for the remainder of the day. By nightfall, five
of the seven Apaches in action had been rendered in operable
by enemy fire. 18 minutes DVD NTSC |
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Helen Foster Snow: Witness to
Revolution (Combat Films/KBYU, 2000)
For
China, the 1930's were a decade marked by profound uncertainty
and sweeping change. It was in this unstable and dangerous
enviroment that aspiring American author Helen Foster
foound herself when she arrived in China in 1931. She
spent the next decade working as a writer, an activist,
and humanitarian. She is one of the few Western eyewitnesses
to the gathering Chinese Communist revolution. |
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Immortal
Fortress: A Look Inside Chechnya's Warrior Culture (Combat
Films, 1999)
Award
winning Immortal Fortress takes
the viewer on a dangerous behind-the-scenes journey into
Chechnya, exploring the tiny mountain republic's war
driven culture while searching for its most prolific
warrior, Shamil Basayev. 52 Minutes Available in NTSC
or PAL format |
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